Collateral (2004) Michael Mann
Very noir. However, I wonder why you can not do without some idiotic clichés. One of the planned killings
is consumed in a crowded room. When the shooting broke out, because people do not flee to the exit, but runs off in all directions like a swarm of bees diabolical for several minutes, filling the entire sequence of the killing? Why
before killing the last victim Vincent can not help but to tamper with the electrical equipment is located in the plan, so as to make a hunt in the dark, rather than do it in broad daylight? It was to kill a helpless woman, there was no need to complicate things so much. Why Max
after wounding smear the face of Vincent not cold, but, running away, give him time to get up and resume the chase?
One of the cornerstones of poetic Hollywood is the action continues, the elimination of every detail that does not slow down the flow.
But a film that claims a certain verisimilitude can afford these solutions bizarre and chronologically uneconomic?
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